search
 

Refine by

Restoration Products




Category

Products in Oil Painting Restoration (36)

Page: 12
Items per page: 10 20 50 100

1120
Part No. 1120
Price: £10.66
item(s)
View more details

GLOSS PICTURE VARNISH 250ml

A gloss varnish, ideal for use on oil or acrylic paintings. Can be removed with white spirit or turpentine.

1122
Part No. 1122
Price: £10.66
item(s)
View more details

MATT PICTURE VARNISH 250ml

An excellent matt varnish, for use on oil or acrylic paintings.Soluble, it is removable with white spirit or turpentine.

Wash brushes in cold water.

1123
Part No. 1123
Price: £3.95
item(s)
View more details

DAMAR VARNISH 58ml

A solution of pale gum damar in spirits of turpentine.

1128
Part No. 1128
Price: £18.10
View more details

ACRYLIC PRIMER 1lt

Can be applied to most surfaces and is a one-coat finish. White and gives a suitable ground for oil or emulsion based colours.

1129
Part No. 1129
Price: £27.17
item(s)
View more details

ACYLIC PRIMER 2.5lt

Can be applied to most surfaces and is a one-coat finish. White and gives a suitable ground for oil or emulsion based colours.

1130
Part No. 1130
Price: £8.78
item(s)
View more details

GESSO ACRYLIC PRIMER 250ml

Flexible, brilliant white, primer, giving a slightly textured matt 'tooth' surface. Ideal for oil or emulsion paints. Some find it suitable as a base for gilding and can be coated with Kölner Gesso-Bole.

1131
Part No. 1131
Price: £18.08
View more details

GESSO ACRYLIC PRIMER 1lt

Flexible, brilliant white primer, giving a slightly textured matt 'tooth' surface. Ideal for oil or emulsion paints. Some find it suitable as a base for gilding and can be coated with Kölner Gesso-Bole.

1132
Part No. 1132
Price: £25.67
View more details

GESSO ACRYLIC PRIMER 2.5lt

Flexible, brilliant white primer, giving a slightly textured matt 'tooth' surface. Ideal for oil or emulsion paints. Some find it suitable as a base for gilding and can be coated with Kölner Gesso-Bole.

1203
Part No. 1203
Price: £24.55
item(s)
View more details

UN-BLEACHED BEESWAX 1kg

A commonly used formula for re-lining is:

Un-bleached Beeswax 4kg (in granules)
Damar Resin 2kg (Strain before use)
Elemi Resin ¼kg (Store in an airtight bag).

Mix the materials and heat gently in a double wall water container.

1204
Part No. 1204
Price: £12.22
item(s)
View more details

DAMAR RESIN 1kg Un-strained

A commonly used formula for re-lining is:

Un-bleached Beeswax 4kg (in granules)
Damar Resin 2kg (Strain before use)
Elemi Resin ¼kg (Store in an airtight bag).

Mix the materials and heat gently in a double wall water container.

1205
Part No. 1205
Price: £18.62
item(s)
View more details

ELEMI RESIN 500gm app

A commonly used formula for re-lining is:

Un-bleached Beeswax 4kg (in granules)
Damar Resin 2kg (Strain before use)
Elemi Resin ¼kg (Store in an airtight bag).

Mix the materials and heat gently in a double wall water container.

1914
Part No. 1914
Price: £11.80
item(s)
View more details

LION OIL PAINTING CLEANER 250ml

It is mild, yet effective and can do little harm to old and delicate paints. Instruction sheet free with every bottle.

NOTE: We have no control over the way you may use any cleaners, and therefore cannot accept any liability for damage caused by its misuse. 250ml.

2099
Part No. 2099
Price: £21.20
item(s)
View more details

LINEN RE-LINING CANVAS 1830mm / 72" 1m

High quality fine weave linen canvas for re-lining oil paintings. Supplied cut off the roll. Min. 2 metres. 1830mm / 72" wide. Price per metre.

2148
Part No. 2148
Price: £9.58
View more details

ACRYLIC VARNISH GLOSS 250ml

High quality clear acrylic varnish, for the protection of acrylic paintings. Also very good for coating and protecting surfaces which have been gilded with metal leaf.

Soluble, may be removed with white spirit or turpentine. Gloss, 250ml.

2149
Part No. 2149
Price: £8.38
item(s)
View more details

ACRYLIC VARNISH MATT 250ml

High quality clear acrylic varnish, for the protection of acrylic paintings. Also very good for coating and protecting surfaces which have been gilded with metal leaf.

Soluble, may be removed with white spirit or turpentine. Matt, 250ml.

3902
Part No. 3902
Price: £29.30
item(s)
View more details

GAINSBOROUGH Lining Compound 454gm

Gainsborough's Lining Compound is a museum-formulated, pre-mixed wax-resin adhesive used in the traditional method of lining (adhering) an old oil painting to a new canvas. It is reversible by using heat.

Suggested for use in lining when a painting is flaking and shows bare canvas, has cracks that will soon lose paint, has multiple holes or tears, and /or has weak original canvas, which needs a new support. Also used for adhering a linen patch to repair a torn canvas.

Must be melted slowly at low heat (approximately 94°C/200°F/warm setting) in an electric fryer or melting pot. Its qualities are destroyed by overheating. A 1kg/2lb quantity in the pan helps give temperature stability.

Apply melted Lining Compound on back of canvas and use a standard iron (max of 135°C, min 66°C) to cause the wax-resin to penetrate into the canvas to create bonding.

Use Lining Compound Remover, 4560, to remove excess Lining Compound, or Neutralizer, 4559, if a milder product is required.

Complete instructions for the use of this product are included in Gainsborough's Manual of Oil Painting Restoration, 3903.
#PC-1035


Gainsborough Oil Painting Restoration Materials

Gainsborough products are designed for use in the restoration of oil paintings. Many are old European museum formulas, carefully compounded with the finest ingredients, manufactured to the original specifications under scrupulous batch by batch control.

Visit: www.gainsboroughproducts.com for more information and instructions.

LION cannot accept any liability for problems arising from mis-use of these specialised materials.

3903
Part No. 3903
Price: £24.30
item(s)
View more details

GAINSBOROUGH 'Complete Manual Of Oil Painting Restoration'

Gainsborough's Complete Manual of Oil Painting Restoration is a comprehensive "how to" text explaining the use of Gainsborough's products in the restoration of oil paintings.

The manual includes procedures for cleaning, varnish and linoxyn removal, conditioning, canvas patching and lining, consolidating loose paint, facing, filling-in repaired tears, inpainting, and varnishing oil paintings.

There are also chapters on the use of ultraviolet light for inspection of paintings, cleaning of graphics and watercolours, building a thymol cabinet, frame glazing, technical tips and more. The Manual provides metric equivalents for most measurements. Illustrations throughout show techniques and procedures to be used as well as "before" and "after" views of paintings.

Important - the information given in this text is not enough to qualify the reader as a professional restorer.
We don't agree with everything it says but it is an excellent guide.

William Goodenough. 113pp. (USA)
#B-5000

4557
Part No. 4557
Price: £26.90
item(s)
View more details

GAINSBOROUGH Varnish Remover 473ml

Gainsborough’s Varnish Remover is used for removal of aged damar varnish and some mastic or copal varnish films from oil paintings.

Apply with cotton swabs. Wipe the cleaned area with Neutralizer, 4559, to stop the cleaning action.

Complete instructions for the use of this product are included in Gainsborough's Manual of Oil Painting Restoration, 3903.
# PC-123


Gainsborough Oil Painting Restoration Materials

Gainsborough products are designed for use in the restoration of oil paintings. Many are old European museum formulas, carefully compounded with the finest ingredients, manufactured to the original specifications under scrupulous batch by batch control.

Visit: www.gainsboroughproducts.com for more information and instructions.

LION cannot accept any liability for problems arising from mis-use of these specialised materials.

4558
Part No. 4558
Price: £35.75
item(s)
View more details

GAINSBOROUGH Conditioner 473ml

Gainsborough’s Conditioner is used for reconditioning dried and brittle canvas on old oil paintings. Apply to the back of the canvas and allow to penetrate. Wipe off excess with Neutralizer, 4559. Do not line or patch painting for two weeks after use to ensure good adhesion. Do not use on newly inpainted or varnished paintings.

Complete instructions for the use of this product are included in Gainsborough's Manual of Oil Painting Restoration, 3903.
#PC-1020


Gainsborough Oil Painting Restoration Materials

Gainsborough products are designed for use in the restoration of oil paintings. Many are old European museum formulas, carefully compounded with the finest ingredients, manufactured to the original specifications under scrupulous batch by batch control.

Visit: www.gainsboroughproducts.com for more information and instructions.

LION cannot accept any liability for problems arising from mis-use of these specialised materials.

4559
Part No. 4559
Price: £24.60
item(s)
View more details

GAINSBOROUGH Neutralizer 473ml

Gainsborough’s Neutralizer is used for stopping the cleaning action of Emulsion Cleaner, 4778, Varnish Remover, 4557, Varnish Softener, 7166, Mastic Varnish Remover, 7167, and Lining Compound Remover, 4560. Apply liberally to remove all cleaning solvent residue.

Can also be used to dilute the strength of Gainsborough's Emulsion Cleaner, 4778, Lining Compound Remover, 4560, Varnish Remover, 4557 and Mastic Varnish Remover, 7167.

Complete instructions for the use of this product are included in Gainsborough's Manual of Oil Painting Restoration, 3903.
#PC-11


Gainsborough Oil Painting Restoration Materials

Gainsborough products are designed for use in the restoration of oil paintings. Many are old European museum formulas, carefully compounded with the finest ingredients, manufactured to the original specifications under scrupulous batch by batch control.

Visit: www.gainsboroughproducts.com for more information and instructions.

LION cannot accept any liability for problems arising from mis-use of these specialised materials.